showtime
last grad last yesterday, got up this morning w/a 6 hour shift in mind
dont want to waste no time, i got to get my groove on - woodshed yall
still a little intimidated by texaco and cattlekilling but even if i dont make
that grade there is still a lot of room to maneuver in and it just doesnt matter
i dont care, im moving on
some of the folk in the workshop they respected it but they didnt love it and i thought about how wideman is appreciated by reviewers and academics but folk find his work hard to love and i thought about how my 1st novel i wanted respect, my 2nd novel i wanted to sell, (both times im not sure i got either, not to my satisfaction) and i think of this 3rd one as my literary legacy
and im thinking do i want to code it heavily like wideman did or do i want to just tell a good story and im wondering yesterday which was the most strategic way to go and then i think i cant go there, ima end up with a fake flow if i approach it like that, i have to please myself and thats going to be somewhere in the in between and it was like a relief in my mind, please yourself rick, thats who this novel got to please, thats what will make it sincere, anything else is gravy
also thought yesterday that wideman is like a narrative trickster and how much id love
to play that in rest for the weary, so much i want this novel to do, im really excited
about taking it into the woodshed, for those of you who dont know the story let me recap
when john coltrane came out to play, back in north carolina, he wasnt very good and they blew him of the stage - he had this woodshed out back of his house and he went into that woodshed and he practice and he practice until he was the john coltrane, came back to the stage and said now blow this
black artists call it going to the woodshed when you have to withdraw from the world and
concentrate on your chops - in an interview wideman say he had to 'go to the woodshed'
when he immersed himself in africanamerican lit after the homewood trilogy and
came up with a new lick, a new literary vision - his work became more important
i love the woodshed, every summer i go off the grid and get to woodshedding - was trying to
convince my students yesteday that summer is the only chance a novelist get to really novel
cant really do a novel during the schoolyear, cant achieve the immersion a novel demand, you do what
you can, a little touch up here and a chapter there but that true focus, thats a summertime thing
may june july and most of august - couple weeks out for memphis (my mama put out a curse on me if i didnt) and the marthas vineyard run (which might as well be counted woodshed way i hole up in the outbuilding)
okay, so much for me talking about working, time to get some done, just finished my obligatory morning hour(s) checking my internet traps/news and thank god nothing there that inspire me to do a real post
saw this article say they found noahs ark on mount arrarat in turkey, i spent a little time there,
i couldnt help myself, im thinking who on earth claiming they found noahs ark,
okay, im gone, couple of days my readership dip for some reason, i been doing this blog now for some
7 years i believe and my readership still average out to about a 100 readers a day - thats pitiful
cause i think i be wailing when i blog, speaking words of power
call myself dropping knowledge on young novelists, just follow me, just
do what i do and we gon make some novels - good novels
novels of historical stature and cultural significance
call myself laying a path for the hoodoos of the future
the cultural custodians and ideological orchestrators
high magicians in training
call myself giving blackfolk and all humanity a vision
listen then to the geas of rickydoc and i will
give you a destiny greater than your adversity
but the world clearly thinks im talking trash, treat me like i dont exist, like i got nothing to say
feels that way about my fiction too, sometime i get discouraged and want to quit doing this thing,
but then the 400 odd folk who do read me by definition the most wonderful folk on the
planet and they often give me props and encourage me to hang in there so i do
mark it down to the curse of the visionary and keep on pushing
i assure you i know what im doing, i assure you i got game
i remember doris jean austin (all praises) once said what you gon do
tell them i will show you, im not going to write any more
sometime when i spend a good morning on a post im thinking now what if i had put that
time/energy into my novel, that was probably a good page of narrative opportunity cost there
(well, at least a paragraph)
but i suspect i dont blog because i want to, i blog because i need to
my little literary dialogue with the world - it keeps me grounded in the realworld
my own little humble stage in this world where i can say what i really want to say how i want to say it
this my space, marginal though it be this my ground, this sanctified ground
no editors, no gatekeepers, no commercial interests, no haters - just me and you dear regulators
you i show my true heart
all this to say that im going cosmic on you for the next 3 months
its just going to be me and that novel - my world, not yours
may think occasionally about no blogging because of low readership but never ever thought about
not fictioning cause of it, i just dont care, ima be fictioning to the day i die or am incapacitated
if i dont make it as a great novelist ima die surprised
all this to say im likely to bore you with a lot of process work cause thats going to be the only thing
on my mind for the next 3 months, i apologize, its just gon me and that novel, i cant wait
okay, let me give you some quick commentary so its not all me me me
bummer about the oil spill, what does god have against the delta
lets see, what else, bummer about the election in the sudan, battle for the south about to begin
lets see, what else, way to go crist, thought about sending him some money, but lets not get carried away
lets see, interesting piece on palin/beck trading places w/al and jessie - salient point
being we cant afford to give up the highground of the civilrights movement
a statement with which i agree, king thought struggle should elevate a people, not demean them - so do i
i do not agree with his take on al and jessie, i may not always agree w/their tactics but they been sincere
and there is more than enough struggle to go around - i do what i do, they do what they do
when they fumble i will call them out on it, when i fumble please sombody pull my coat
i will not count them as enemies, i will not belittle them, i will not pull them down
lets see, what else, forget this, im just going thru the motions, rickydoc got work to do
1st day of the wooshed, got to be a winner, cant afford bad days this
early, wont get no momentum till mid summer, that wont do
got to hit the ground running, that mean today
yesterday when i was trying to convince my class to woodshed their drafts this summer,
im telling them 3 measly pages a day will get you to the promiseland, probably get away w/2
mikael say but if you win one day you just got to get up and do it all again the next day
and i told him no shit sherlock, thats what separate the writers from the dilettantes
everyday you got to get up and meet the beast, everyday, yesterday dont count,
everyday the struggle begin anew, everyday you got to meet the page
thats what writers do
all my love
rdoc
i had forgot just how interesting a work the cattlekilling is, last thursday i
asked what his aesthetic was and mildred barya responded
to break all the rules, see what he can get away with
that mildred barya, she tickle me
that about sums it up, all those voices in voices and the way he fearlessly goes back and forth in time, tenses, povs, whatever
using the vehicle of narr telling story to african spiritwoman, w/all widemans speculations on storytelling, how he foregrounds the struggle and act
of writing
he breaks rules the rest of us didnt know we had
im not even going to try to give you a synopsis, who got time to get that twisted
but its clear reading it that its another one that ive intertexted or shall we be a little forthright and say stolen from
i had truly forgotten just how much ive stolen from wideman
but clearly ive picked up a little of his narrative anarchy
his profound explorations of the prophetic
his obsession w/interface between storytelling and literature
w/developing an africanamerican literary language as sacred language
at this point in the game i dont know whats me and whats folk i been influenced by
wideman one of those writers inspire you to go for broke
a he got away with it, why cant i kind of writer
god i love this class, even if it does give me a bad case of narrative envy
it doesnt last long, i am what i am, other folk am what they am
speaking of god im going to do a post on that latest mohammed cartoon controversy bit
the draw mohammed day conceived behind censoring of south park mohammed skit
but i got to have my ducks in order for that one, dont want no fatwas out on flowers
but i have to say that it dont fly for religions to try to impose their religious taboos on other folk
that go for fundamentalist christians here too, i suspect that god doesnt care if you eat pork or beef
or dance on sunday, religious taboos are generally the product of 2000+ year old primitive minds
and reinforced by institutions intent on maintaining power and primacy, but contemporary spiritworkers
have studied principles and histories of religious formations to point of
no longer being subject to their power, some religious precepts like
thou shalt not kill for instance, they translate, but taboos of process like not dancing on sunday,
not eating pork or beef and no images of mohammed, well, that might work for you but dont try to
impose it on me, the basic religious axis for me is progressive vs fundamentalist and
i am against fundamentalism
of pretty much any sort, i would say any sort whatsoever but i dont want to be fundamentalist about it
this goes for secular fundamentalism too, but i really didnt intend to get deep with this just yet
now i got to follow thru, find the links for you, tease out the nuances of my position, etc,
who got time for this
let me end this riff saying that i worship at the altar of the
gods of literature, in case anybody was confused about that
ima have to do a piece on that one day, i love my gods
latest blast from organizing for america, they say they got november covered, that they doing the
hard work of organizing instead of listening to the polls, im hopeful, i plan to send them the $25
folks thats lackadaisical about getting out there for barack best remember how hard the repubs
were gaming, how they had turned the american gov into an arm of the republican party and the fatcats
how they brought america to its knees with the financial crises, sometimes i regret that obama had to
stem that financial crises because its the bailouts that got folk in arms against him but if it hadnt been
a financial crises at an opportune time in election cycle we might have had mccain palin in office, god works
in mysterious ways
a luta continua
-----------------
Arthur --
"Republicans win back House, Senate." "Voters reject Obama's agenda."
If you listen to the talking heads on TV, it's like November 3rd's headlines are already written.
But here's what they don't know -- and it's why they're dead wrong: The
same grassroots movement that knocked on the most doors, made the most
calls, and inspired the most first-time voters in history in 2008
hasn't gone anywhere. In fact, we're gearing up to do it all again.
You heard it from the President on Monday. We've been planning for the
fall campaign all year. And we know full well that winning nationally
means organizing locally. Every House district holds an election this
year, and all but five states will vote statewide for a governor or
senator.
We need to get moving in NY -- and all over the country -- earlier than
ever before. David Plouffe and I have taken a hard look at the numbers,
and
we need 25 donations from Syracuse by May 1st to kick off our efforts.
Can you donate $25 or more to help us get more
boots on the ground and start implementing our 2010 grassroots strategy now?
Republicans are already calling 2010 a "referendum" on the President's
agenda. They're campaigning to win majorities in Congress, so they can
roll back the progress we've worked so hard to make. In fact, hundreds
of candidates have signed a pledge, circulated by the conservative Club
for Growth, to repeal health insurance reform.
If history is any guide, this is nothing to scoff at. In midterm
elections, the president's party regularly loses seats. And an economy
that's still recovering only makes our job harder.
But history has never seen anything like us.
While Sarah Palin gives big speeches mocking "community organizers," we're investing in them.
Our field operation is far and away the largest of its kind in history.
OFA staff and volunteers are pounding the pavement across the country.
From the earliest primaries in 2008 to the fight for Wall Street
reform, while the attacks ads were flying and the cynics were talking
down our chances, we've done what we know best -- keep on organizing.
Investing in these resources is what will make it possible for us to
set records again in 2010.
The headlines we wake up to on November 3rd are in our hands. But we
can't succeed without a strong start -- and we can't do it without you.
Will you be the one of first in Syracuse to chip in $25 to get our grassroots off the ground? Donate now:
https://donate.barackobama.com/2010kickoff
The fight ahead is going to be tough. With your help, Election Night doesn't have to be.
Thanks,
Mitch Stewart
-----------------------
tickle me when they call me arthur, like we old buddies
sometimes the emails are from my boy barry
i love that line - but history has never seen anything like us
i got the tingle from that one, dont you just love it when you get the tingle
im gone, got to finish preparing for my last literary hoodoo class - the cattlekilling
i approach teaching these books as an effort to note what narrative strategies
we can identify and add to our own repertoire, our own narrative range - for me and my students both
the cattlekilling is a gold mine, i look forward to unlocking it
worshiping at the altar of my gods
rdoc
last undergrad workshop, it came up in class discussion that in my youth i was a hoodoo sorceror. the class asked what do you mean and i said magic, a hoodoo magician
one student asked with some confusion, well how does somebody call themselves a hoodoo sorceror, end up, well, you know, here,
teaching in such a prestigious institution was implied
i told her because im a writer and a scholar of magic, that my forms course was literary hoodoo, that i make it work on the realworld plane,
i told her with just a little taste of attitude, that ima high magician
what i should have said im no folk magician, you probably thinking folk magician, love potions, spells and such, or maybe a stage magician, with exploding balloons or somethingi am a high magician, my concern is enhancing the human condition, shaping generations, shaping reality
i should have said, in terms that she would understand, is that im gandalf the grayim an essential player in the war between good and evil
that’s what high magicians do, they position themselves to be significant
forces in human destiny - cultural custodians and ideological orchestrators
and where would i be if not teaching at the local hogwortts, or whatever that school in harry potter is called
and whats more since we being real, i teach creative writing workshops, which is what high magicians do, try to forge their students into cultural forces, significant forces in human destiny
capable of shaping reality thru your works
when i told you we were going to spend the last few days talking about literary vision, i am attempting to take you to the next level of being a writer, to understand what it means to be an artist in this world, an instrument of human destiny. in hopes that you become a worthy instrument.
the reason im teaching here is because the world values what i do, not only am a scholar of magic, one of the worlds great forces, ima a pretty good teacher of young writers, unlocking creative potential is my speciality and above all, im a writer, the world acclaims what i do
for anybody else just going around talking about ima high magician would be laughable, madness, but all i have to do is write about being a magician,
and when im doing my magical studies or engaged in magical endeavors of the human condition its like im doing research for my novels, i can do whatever i want to do in life as long as i write about it
in the last couple of years i have publicly identified myself as a would be prophet of the hoodoo way and tried to manifest it – even if i fail, which is very likely, i will still be able to write about the experience, the prophetic mode, with authority, because i have walked the pathor shall we say i have attempted to walk the path
i love being a writer, not only do i teach here but they treat writers like the football team, we the artists, the creatives, they pay us to be names in the world, they dont expect us to come to dept meetings, unless we feel like it, not the writers, we too busy writing, too busy being forces in the world, doing whatever it is that high magicians do.
not all of you interested in being writers but those of you who do i want to be great writers. i want you to be writers of historical stature and significance, writers whose work means something.
i want you to be successful and look back on this class fondly, i want you to be forces in this world.
sametime im teaching you to be writers, im training you to be high magicians
those of you thats interested - visionaries
all my love
rdoc
Recent Comments