hello world, ive had a publisher express interest
in the hoodoo book of flowers, somebody i would
trust with the text, she asked me to write a brief
statement explaining the project, this what i sent her:
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You’ve asked me to speak on whats behind this project. The Hoodoo Book of Flowers is most primarily an attempt to write an African American holybook, but at this point I will be satisfied with your basic sacred text, your basic mystical Work. It began though because I wanted to do a holybook for blackfolk based on African American culture, history and destiny. Call myself forging an African American Way.
This is also a hoodoo manual. I am attempting with this work to position hoodoo as one of the world’s Great Ways. Also trying to position hoodoo as a prophetic tradition within the Afrospiritual traditions of the Americas, Vodou, Lucumi, Obeah, Candomble, etc etc. with a prophetic dispensation to break old rules and forge new ones.
Prophetic because I consider both hoodoo and the Afrospiritual traditions to be in need of illumination and empowerment, I believe that a people’s condition/culture reflects the power of their indigenous spiritual systems. I look at the condition of blackfolk around the world and I judge afrospiritual traditions to have been inadequate and in need of illumination and empowerment, retooled calibration to a 21st Century sensibility.
In terms of the textual strategy it is both a wisdom text (holybook) and a hoodoo manual trying to shape the hoodoos of the future as cultural custodians, ideological orchestrators, and practitioners of high magic over folk magic. I have tried to tell a divine history of the world based on African American culture, history and destiny. My goal is to forge a new kind of people/culture, to once again equate the black struggle with the struggle for human dignity and once again provide a model for struggle worldwide. Consequently, I have a couple of movements you don't generally find in works of this sort, Empowerment and Destinywork, cause I want the blacks of the future to be consummate players, masters of strategy, the key that opens all locks.
Basic structure is the 1st 4 movements are living life well movements – Initiation, Struggle, Lifeworks, Changes. Then the empowerment movements, Empowerment and Destinywork, destinywork being my speculations on how to run the longgame as Babajohn Killens taught, how to shape generations. Then the last three are where I try to go Illuminated on them, my Godwork. I very much wish I was a more purely Illuminated type but well, you know, struggle is more complicated than that.
Each passage is a blend of aphorisms, historicals, destinicals, stories (using two cultural folklorics, The Babajohn and The Queenmother of Memphis) and what I call De Geas of Rickydoc, a set of principles I want to impress on the generations – like awaken the sleeper, protect the weak, guide the strong - but let me not get too deeply into esoterics.
In terms of its value to the human condition I hope to engage the evolutionary dynamic in the human experience and provide guidance thru the generations. It is addressed to future generations of hoodoos, African Americans and all humanity.
There is a standing tension in my work between being a voice for black people versus being a voice for all humanity. Unable to get past that tension I decided to make it one of the drivers of the text. By illuminating African American culture I hope to illuminate the world in a Magical Negro dynamic wrote large.
The structure of the text is a divination system, 81 movements (9x9) that represent life as initiation. Your basic wisdom text (they all pretty much cover the same ground, the golden rule, the 8 fold path, do unto others, know thyself, etc etc) the precepts of living well basically. The tight aphoristic structure is me trying to reflect how I think future media-influenced generations will process knowledge. Eventually I want each one of those fragments to stand on their own as prayers and/or mantras and such. Meditational devices.
What further makes the Work somewhat unique (as in not just an ambitious selfhelp book) is I am telling these Historical/Destinical segments stylistically based on Galeano’s Memory of Fire trilogy and Im telling all these Wisdom Tales because I want to nurture a tradition of African American wisdom tales in this text. An African American Way.
The broken lines, the unconventional spatial structure, the afrolyrical riffs, it’s just the way I most comfortably express myself these day. Also the material dictated the shape of the text, only way I could move forward and get it done was to accept the way it wanted to be told. I would prefer to be more conventional stylist but when I write conventional I lose power. Also the stylee lends itself to a lyrical brevity I would not otherwise achieve and I hope the ‘poetry’ itself eventually brings its own value to the text. It’s weak now because I’m still concentrating on the content and have not focused yet on making it sing.
I aspire with this work to position myself as one of humanity’s great teachers. I realize this is somewhat ambitious and accept the possibility this might be delusional on my part. But I have to write this text as if it were truly so. In my heart I have to believe I am what I aspire to be.
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